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In my preceding article I mentioned that you can apply glass paint with a sponge, which in reality is a good way of probably covering, say, a large area. Not merely this, but it would allow you to mingle in colours even as they are still wet, in fact. Also, if you carry out this, you will, after this is dry, be able to rework it with the sponge along with another colour.

Hence how about using a glass gel? Glass gel you can obtain in your local art suppliers. This gel is now obtainable in tubes. How do you apply this? The best method is with a spatula! If you do this you will find out that it gives you a textured surface, but will as well give relief effects.

When you come right down to it there are three types of gel colours, you have semi opaque, which are opaline, glittery are iridescent, and transparent which are crystalline. The fine thing about these is that you can mix all the colours and ranges together, plus the outliners, copying the Tiffany type of glass in fact.

Therefore if you utilize the gel, and actually use a sponge to apply it, this will result in a more even form of thinner coat. You can then build more layers on this. A great plus you have when working with the gel is that it has a water base, so any utensils you utilize can be washed and cleaned quite straightforwardly with soap and water.

You will also observe that it will no longer be all tacky after something like half an hour also most likely it will be totally dry in around a week. In fact, you could say, that on the whole, the gel is rather slow to dry.

On the other hand, because of this self-same fact, it does give you the option of being able to include different things into the gel itself to compliment your work. So you may say what for instance? Let us experiment with, just for starters, sequins, shapes in acetate, glass nuggets or even a small amount of sea shells.
It is to a certain extent possible to fix your bits and pieces with one of your glass outliners.

At this point all this sounds quite straightforward but, if I want to move my shape to the glass, what is the best method to do this? I have to say that it is to a large extent easier to work on a smooth surface, particularly if you want to paint, for example, a window. I would endeavour to try and rest it on a surface horizontally. But if you were working on a sheet of acetate, or even a clip frame, you may well trace your pattern straight through.

More challenging perhaps is trying to transfer a design on to an object which is rounded. In this set-up you would need to utilize some carbon paper and in that case tape your paper to the glass. Carry on then by taping your pattern on top of this. After that you can easily draw on your pattern with a biro to relocate your outline on to the glass.

In the vein of most forms of painting, ranging from abstract art through to canvas art, it is wise to varnish it in order to care for it. Varnish for glass is sold either in a not shiny or surface shine finish. Matt finish leaves like a frosted glass look to it. If you draw on the gloss varnish you can also produce paler shades by furthermore using it to thin your paint, however it will not alter the depth of colour or lucidity.

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